Header image for Jazz Kissa Tour — Thank You!
 

Ridgeliners

Hello! It’s been a while. I’m still Craig Mod and this is still Ridgeline. I finished the big jazz kissa tour and then immediately set off on a 13 day / 14 night 300km+ walk across northern England. A kind of “vacation” — ha ha! It was great. More on that later. But for posterity I wanted to post here the thank you note(s) I sent to subscribers of BASIE!BOP!JAMAICA!


The tour is done! Thank you all for subscribing and following along. I think this has been the most physically + mentally demanding pop-up I’ve done yet. Mainly because of all the intense one-on-one interviewing, but also because … SO MANY WORDS.

The archives for BASIE!BOP!JAMAICA! are available to SPECIAL PROJECTS members. If you’re not a member, you can join here: https://craigmod.com/membership/. SP memberships are how I fund and am able to do these kinds of projects, these pop-ups. Since 2019 I have been fully supported by memberships and book and print sales (each year I publish an extensive writeup for how that year went, and how running the membership program felt, archived here: craigmod.com/essays). I am in awe of and am grateful for this setup, and try to show my gratitude by throwing myself fully into projects like B!B!J!. For those who liked all this … jazz … and thought, Hmm I’d like to contribute something. The two best options are:

The member archives for B!B!J! look like this:


Stats

That was quite a big project (but if you can believe it, I’ve done much bigger ones — 30 days of stuff like this (more walking, less talking though) in 2021 for both Nightingale and Tiny Barber). Here’s how it breaks down:

  • 16 days
  • ~35,000 words (!!!) published to the BASIE!BOP!JAMAICA! list
  • 12 cities
  • 19 jazz kissa
  • 15 binaural videos
  • ~20 cigarettes
  • Too many coffees
  • A few surly sparkling waters
  • The most expensive Daiwa Roynet stay ever (¥33,000 on a Saturday night in Yamagata)

The Kissa

Here are all the jazz kissa I visited:

  1. Mingus — Fukushima, Fukushima
  2. Blue Note – Yonezawa, Yamagata
  3. Octet — Yamagata, Yamagata
  4. Pablo — Natori, Miyagi
  5. Count — Sendai, Miyagi
  6. Basie — Ichinoseki, Iwate
  7. Dante — Morioka, Iwate
  8. Pannonica — Morioka, Iwate
  9. Bar S — Morioka, Iwate
  10. Rondo — Akita, Akita
  11. Suga — Hirosaki, Aomori
  12. Blue Note (randomly closed) — Aomori, Aomori
  13. Jazztime Disk (shut down in 2022) — Aomori, Aomori
  14. Bop — Hakodate, Hokkaido
  15. Leaf — Hakodate, Hokkaido
  16. Jamaica — Sapporo, Hokkaido
  17. NEL/D Coffee Club — Sapporo, Hokkaido
  18. Slowboat — Sapporo, Hokkaido

The Videos

I tried to shoot a little binaural 4k video at each shop.

Here’s a playlist of them all:


The Music

Here my own incomplete list of albums from the tour. I used ChatGPT to help compile this, so there may be some hallucinated players. You can find a lot of these albums on Apple Music / Spotify. Many of you made playlists. Michael Saltzman’s Spotify playlist looks to be the most accurate / complete. Thank you Michael for sending that in! And Daniel Ferreira copied the playlist into Apple Music. Thank you!

Reader Adam Chapman also very generously compiled most of the albums / tracks I mentioned into a giant Notion page. You can see it online here. It’s more comprehensive than my list below.

Artist Album Year Musicians
Art Tatum - Ben Webster The Art Tatum/Ben Webster Quartet 1956
  • Art Tatum - Piano
  • Ben Webster - Tenor Saxophone
  • Red Callender - Bass
  • Bill Douglass - Drums
Tommy Flanagan Trio Confirmation 1982
  • Tommy Flanagan - Piano
  • George Mraz – bass
  • Elvin Jones – drums
Art Pepper Art Pepper Meets the Rhythm Section 1957
  • Art Pepper - Alto Saxophone
  • Red Garland - Piano
  • Paul Chambers - Bass
  • Philly Joe Jones - Drums
John Coltrane Settin' the Pace 1961
  • John Coltrane - Tenor Saxophone
  • Paul Chambers - Bass
  • Red Garland - Piano
  • Art Taylor - Drums
Kenny Burrell A Night at the Vanguard 1960
  • Kenny Burrell - Guitar
  • Richard Davis - Bass
  • Roy Haynes - Drums
Bill Evans Montreaux III 1975
  • Bill Evans - Piano
  • Eddie Gomez - Bass
Pat Metheny Dream Box 2023
  • Pat Metheny - Guitar
Johnny Hartman Once in Every Life 1980
  • Johnny Hartman - Vocals
  • Joe Wilder: Trumpet
  • Hank Jones: Piano
  • George Duvivier: Bass
  • Grady Tate: Drums
Miles Davis Kind of Blue 1959
  • Miles Davis - Trumpet
  • John Coltrane - Tenor saxophone
  • Julian "Cannonball" Adderley - Alto saxophone
  • Bill Evans - Piano
  • Wynton Kelly - Piano
  • Paul Chambers - Double bass
  • Jimmy Cobb - Drums
Chick Corea Return to Forever 1972
  • Chick Corea - Electric Piano, Acoustic Piano, Organ, Harpsichord
  • Stanley Clarke - Electric Bass, Acoustic Bass
  • Joe Farrell - Flute, Soprano Sax
  • Flora Purim - Vocals, Percussion
  • Airto Moreira - Drums, Percussion
Randy Weston Little Niles 1958
  • Randy Weston - Piano
  • Wilbert Hogan - Drums
  • Brock Peters - Vocals
  • George Joyner - Bass
  • Jerome Richardson - Flute, Alto Sax
  • Ray Copeland - Trumpet, Flugelhorn
  • Melba Liston - Trombone
Melba Liston Melba Liston and her 'Bones 1959
  • Melba Liston - Trombone
  • Frankie Dunlop - Drums
  • George Joyner - Bass
  • Ray Copeland - Trumpet
  • Bennie Green - Trombone
  • Al Grey - Trombone
  • Benny Powell - Trombone
  • Randy Weston - Piano
Brian Blade Perceptual 2000
  • Brian Blade - Drums
  • Jon Cowherd - Piano
  • Chris Thomas - Bass
  • Kurt Rosenwinkel - Guitar
  • Melvin Butler - Soprano Saxophone, Tenor Saxophone
  • Myron Walden - Alto Saxophone, Bass Clarinet
  • Daniel Lanois - Vocals, Guitar
The Richard Davis Trio Song for Wounded Knee 1973
  • Richard Davis - Bass
  • Joe Beck - Electric Guitar
  • Jack DeJohnette - Drums
Miles Davis Miles, 1958 1958
  • Jimmy Cobb - Drums
  • John Coltrane - Tenor Saxophone
  • Bill Evans - Piano
  • Paul Chambers - Bass
Lee Morgan Cornbread 1965
  • Lee Morgan - Trumpet
  • Jackie McLean - Alto Saxophone
  • Hank Mobley - Tenor Saxophone
  • Herbie Hancock - Piano
  • Larry Ridley - Bass
  • Billy Higgins - Drums
Art Pepper Intensity 1960s
  • Art Pepper - Alto Saxophone
  • Dolo Coker - Piano
  • Jimmy Bond - Bass
  • Frank Butler - Drums
Art Blakey Like Someone in Love 1967
  • Art Blakey – drums
  • Lee Morgan – trumpet, flugelhorn
  • Wayne Shorter – tenor saxophone
  • Bobby Timmons – piano
  • Jymie Merritt – bass
Ryo Fukui Scenery 1976
  • Ryo Fukui - Piano
Quincy Jones The Quintessence 1961
  • Quincy Jones - Composer, Conductor
  • Freddie Hubbard - Trumpet
  • Oliver Nelson - Alto Sax
  • Thad Jones - Trumpet
  • Jerome Richardson - Flute
  • and many more.
McCoy Tyner Trio Reaching Forth 1963
  • McCoy Tyner - Piano
  • Henry Grimes - Bass
  • Roy Haynes - Drums
Stanley Turrentine That's Where It's At 1962 (based on external knowledge up until 2021)
  • Stanley Turrentine - Tenor Saxophone
  • Les McCann - Piano
  • Herbie Lewis - Bass
  • Otis Finch - Drums
Gary Burton Like Minds 1998
  • Gary Burton - Vibraphone
  • Chick Corea - Piano
  • Pat Metheny - Guitar
  • Roy Haynes - Drums
  • Dave Holland - Bass
Chick Corea Trio Trilogy 2013
  • Chick Corea - Piano
  • Christian McBride - Bass
  • Brian Blade - Drums
Miles Davis Milestones 1958
  • Miles Davis - Trumpet
  • Julian "Cannonball" Adderley - Alto Saxophone
  • John Coltrane - Tenor Saxophone
  • Red Garland - Piano
  • Paul Chambers - Bass
  • Philly Joe Jones - Drums
Bud Powell The Scene Changes 1958
  • Bud Powell - Piano
  • Paul Chambers - Bass
  • Art Taylor - Drums
James Francies Purest Form 2021
  • James Francies - piano
  • Burniss Travis - bass
  • Jeremy Dutton - drums

Thanks

It has been a delight / honor / bundle of surprises running this pop-up newsletter. To meet all these incredible humans, hear their stories (I became in many cases, I believe, their first therapist), and share them with you. These pop-ups are bizarrely life-affirming projects and your being out there helps make it possible. Thank you. And thanks especially for all the kind words and support along the way. You’re gracious folks and I’m lucky to have you as readers.

Now, I’m writing from somewhere in the north of England, [Ed: This ‘graph was written a few weeks ago; I’m now writing from London] just on the coast, about to embark on a 200 mile walk with a friend as a way of “recovering” from the intensity of the pop-up. I’ll be mainly offline, jazz mainly in the head, coffee mainly carried in a tumbler on my backpack. Not a single bowl of soba. No pizza toast. But lots of homemade granola and more fried fish than a reasonable man should eat.

Until next time,
C

 

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